This short, by filmmaker Paul Trillo, and praised by TIME Magazine as one of the 6 Most Innovative Drone Videos of 2016, just premiered on Vimeo Staff Picks. It’s a very bold concept. An almost 10 minute long short film shot in a single take. But this wasn’t like your typical long take. It was shot entirely with a drone. Using the DJI Inspire 1 with Zenmuse X5 camera, Trillo and his team faced a lot of challenges creating the short....

Both DJI and GoPro announced their Mavic and Karma drones. While there are some notable differences they are both following a familiar form factor. If you are looking for something completely different, you may wanna take a look at the PowerEgg from PowerVision. I think it is kind of easy to realizes how the drone got its name, but see if you can tell for yourself ;). The PowerEgg that looks like something from Arrival has a completely new form factor – it’s shaped like an egg....

Any Gaffers out here? You will immediately get this system. For anyone who is new to this, let me share a bit of an intro. (Gaffers, feel free to skip to the good stuff). As a gaffer, my main job is rigging things in the three-dimensional space. The director and DP decide on the lights they want, but getting it into position is my job. Same goes with rain machines, flags, gobos, diffusers, reflectors and basically any gear you’d need to execute a shot....

The world of FPV droning doesn’t typically have much to do with the more aesthetic, cinematic of drone filmmaking. At least, not usually. Well, not unless you’re Paul Nurk. Going by the name NurkFPV on YouTube (and Instagram), Paul is pretty obsessed with FPV. How obsessed? Well, he’s obsessed enough to build an FPV drone he could mount a RED Epic Mysterium-X to it. The goals are to capture the speed and excitement of flying FPV, but at a much more cinematic way than FPV cameras typically allow....

In this modern digital age, we just take for granted that our cameras contain light meters. And in mirrorless cameras, we can even see our final exposure before we even hit the shutter. But in the days of film, it wasn’t always so easy. Sure, towards the end of film’s mainstream days we got some pretty advanced 35mm SLRs, but a lot of the older ones in use today don’t contain a meter at all....