White seamless background photography has been a staple of both portraits and products, amongst other things, for decades. It’s one of those things that almost all photographers (at least the ones who end up doing it for money) will probably learn to do at some point, just so that if they’re asked for it, they know how to do it. But it’s a style that I’ve seen so many photographers struggle with....
Hey guys. This morning I woke up and deleted all my social media. My Instagram, Twitter, and personal Facebook accounts (I deleted my Facebook business page a year earlier), all gone. I ghosted from the party. As a small business, it’s a bold move (if not insane) to walk away from such successful pages (I had over 60,000 followers between the three platforms). But I had had enough, and here’s why....
So far in this year’s DIYP gift guides, we’ve covered cameras, lenses, lights and bags. But whether you shoot stills or video, at some point you’ll likely need something to mount your camera to. So here are some of the new ones that have come out over the last year or so and the ones that we use the most. As video tripods go, this is one of my favourites of 2019....
I’ve pretty much shot RAW all my life. There are so many benefits of shooting RAW– in terms of how much flexibility you have with the files, as well as the raw data in the files. However, as time goes on, I’m starting to lean more towards shooting JPEG– and I’m starting to realize the benefits of shooting JPEG. First of all, the camera does a good job of processing JPEG images in-camera....
Object recognition and AI has come such a long way in such a short amount of time that effects that used to take hours can now be automated in just a few seconds. Adobe MAX 2018 is going on right now and they’re showing off one example of this in their Sneak Peeks. It’s called Moving Stills, and it’s insane how well it works for a concept demo. Basically, you feed in a still photograph, click a button and it will automatically figure out the depth of objects in the scene....
