Ok, this is pretty impressive and also extremely cool. Industrial and interaction designers, Rob Englert and Meyer Giordano have created a very unique lens for, in this case, Nikon F mount that lets you get a full 360° field of view and 180° vertically in a single shot with no stitching required. The pair founded Sphere Optics (aka “(sphere)”). Their first lens is called the (sphere) Pro1, which they describe as “the world’s first and only single-lens 360° full-spherical capture solution”....

There are several ways to make cutouts in Photoshop, but now there’s a plugin that does it for you in a matter of seconds. Recently launched by remove.bg, this plugin lets you remove background in a single click. It’s free for download, but there are extra perks if you opt for one of the paid versions. Previously, remove.bg was released only as a free web-based app. You were supposed to upload a photo to the website and AI would do the rest....

For some strange reason, this video from Taylor Nowel popped up on my suggested feed yesterday, although it was actually posted to YouTube about 18 months ago. It documents the weirdness that is the Fujifilm Rensha Cardia BYU-N 16. What makes it weird is that it has sixteen lenses. Yes, sixteen. Count ’em. Each with their own individual shutters. It shoots to 35mm film and contains two separate shutter buttons. When it was released in 1995, it seems to have been marketed to golfers, allowing them to shoot a rapid succession of images when they tee off in order to be able to analyze their swing after the fact....

Metering is one of those strange aspects of photography. It’s actually a rather straightforward principle, but it seems complex to new camera users due to unfamiliar terminology like “spot”, “evaluative” and “incident”. But it’s pretty easy to get to grips with. In this video, photographer Saurav Sinha, goes over the basic metering modes that are common to pretty much all cameras. Those are spot, centre weighted and matrix or evaluative metering....

Photoshop’s Blend If sliders are wonderfully useful and powerful tools. They allow us to seamlessly blend two images together with ease, or knock out elements of our images completely. But, they’re not without their quirks. One of those quirks is kind of a double-edged sword. The perk, and problem is that it takes adjustments you make to the image into account before it applies the blend. This can be very handy when merging two different landscape images together, for example....