Thanks to companies like Fujifilm and Impossible, instant photos are well and truly back, and they’re here to stay. While the Polaroid concept has always been quite popular, Fuji’s range of Instax cameras & films have proven to be extremely successful. Many photographers I know have one. For behind the scenes snaps, or just fun shots while doing things with friends, they love them. Now, Lomography want in on some of that action....

It seems photographers are constantly looking for the best ways to retouch their photos–search any photography group and you won’t have to scroll far to find a post about dodge and burn or frequency separation. Recently, Stefan Kohler, Pratik Naik, and the rest of the Infinite Tools team added a new panel to their Infinite Tools Suite: The Infinite Retouch Panel. This panel is geared toward providing the most useful tools in a retouching workflow and considering their history of creating other Photoshop tools to help with creativity and workflow, I decided to take a serious look at this panel to see if it is worthwhile as a photographer and retoucher....

Before photography went digital, infrared imaging was possible using one of several infrared films available on the market at that time. Most of them were B&W (Like Kodak HIE or Rollei IR), but there was also some false color infrared film. One of the most renowned among them was Kodak’s EIR. KODAK EKTACHROME Professional Infrared EIR Film was an infrared-sensitive, “false-color” reversal film. It was intended for various photographic applications where infrared light may yield useful results, such as artistic, industrial, scientific, and aerial or technical ground photography....

Just after we got done comparing the LitraTorch vs the Lume Cube, Litra announces their next generation of LED action light. The new LitraPro offers the same rugged build as the Torch but raises the bar with full spectrum bi-colour LEDs. Litra is calling the new LitraPro a “new category of compact, rugged, professional lighting” and it does seem to fit the bill. It sits in size between the tiniest of tiny action camera lights and small on-camera LED lights like the Aputure AL-M9....

Finding somewhere to put down a light stand on location isn’t always easy. Especially if those locations are woodlands or other wilderness areas where the ground isn’t exactly flat and level. They say that necessity is the mother of invention, and finding a good light stand on location was a need for motocross photographer Colin Brister. So, he made his own. The Spike. And now it’s available for you to buy, too....