Sometimes flare is a matter of artistic preference and choice. However, there are plenty of instances when we don’t want it in photos. Koldunov Brothers show you four different types of flares, and the methods to get rid of them. In some cases, there are only minor improvements. But in the others, the difference is pretty striking. 1. DSLR camera on a tripod 1. DSLR camera on a tripod When you put a camera on a tripod and don’t cover the viewfinder with your eye, the light entering the camera can affect the image and make it look washed out....

Even though the final season of Game of Thrones has been a huge disappointment for some of us, there’s one thing we can’t deny – it looked freakin’ gorgeous. In this video from Film Riot, Ryan Connelly shows you how to achieve the Game of Thrones style and feel. Of course, the HBO show had a massive budget, but worry not, Ryan’s suggestions work for all us common folk who are more into DIY than high-budget solutions....

For those that shoot film, developing and dealing with chemicals isn’t usually the biggest hassle. Often it’s scanning the resulting film into the computer. Many lower end scanners simply don’t have the quality. Higher end ones, even flatbeds like the Epson Perfection V850 are out of the range of many film shooters. Drum scanners like this Hasselblad are even more expensive. And that’s their cheaper model. So, what else can we do to digitise our film shots?...

While the world is looking for bargains today, we thought we’d look at the opposite end of the spectrum, the most expensive gear we could find on the B&H website this Black Friday. Our plan was to produce a setup that, if you won the lottery, you might actually consider buying. Gear that should work well together, and costs a ludicrous amount of money. Can we actually spend $1,000,000 on photography gear?...

Need extreme close-up shots of tiny objects in your video? You’re on a budget and don’t have these fancy extreme macro lenses? Use the technique called “reverse lens macro”. It’s well known in the macro photography world but surprisingly unknown in videography. Simply put, you take a wide-angle lens. For example, take an old 28mm and mount it in reverse via a macro coupler ring adapter to your camera. That’s all there is to it....