For most of what I shoot, high ISO performance isn’t really much of a concern. It’s rare that I need to go above ISO400, usually. But with today’s cameras having ISOs that go up into the multiple hundreds of thousands, what’s the point if going that high degrades the image so badly that it’s pretty much unusable? That’s the topic that music and sports David Bergman explores in this video. Cameras and their crazy high ISO values, what’s the point of them and when and why you might want to use them....

Popular LED lighting manufacturer, Dedo Weigart Film has launched a new RGBLAC LED light in collaboration with Prolycht. It’s the dedolight NEO Color full spectrum LED spotlight and it offers an 80w adjustable colour focusing spotlight in a dedolight form factor. It uses the RGBLAC Hyperlight Color Engine developed by Prolycht and combines it with Dedolight’s integrated optics for a 6:1 variable beam angle. The Neo Color system is comprised of the Neo Color Lamphead (DLED7C), the DTneoC Ballast, a light shield ring and 8-leaf barndoors....

It’s been rumoured for a long time, but now DJI has officially announced its new Ronin 4D 4-axis cinema camera. It combines the new full-frame Zenmuse X9 gimbal camera with a 4-axis stabilisation system, LiDAR focusing with video transmission and control in a single device. DJI says the system is designed for high-end productions to make them more efficient. It’s available in both an 8K model and a 6K model capable of shooting both h....

Fujifilm has posted a notification on its website apologising for the lack of availability of its 35mm colour negative and reversal (slide) film. They expect that things will be pretty tight for a while due to the availability of raw materials. Fuji cites some specific films in its apology and says they’re currently taking measures to help “ensure a stable supply of products” as quickly as they can. The cynic in me wants to say that this is a prelude to discontinuation....

Liquids are a great source of photographic fun. It’s a topic which fascinates many photographers. There’s so much to experiment and play with. Splashes are particularly intriguing to me a a photographer, because you never really know exactly what you’re going to get. You might fire of 50 or 100 shots before you get the one you want. That’s where this video from photographer Dustin Dolby steps in to save you a little frustration....